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The first Gibson Tobias serial number was 1094. Actually, this date is not particularly important, because nothing changed at Tobias after Gibson bought them - at first. The California-made basses, whether pre-Gibson or post, were all made under Mike Tobias's shop. Feb 10, 2017 - Up for sale is a beautiful Tobias Pre Gibson classic 5 in mint condition, flawless. Price: $2900 ATTACH Serial number: 1082 Neck: maple.

ABOUT US

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The first Tobias Gibson serial number was 1094. At that point, Gibson was instrumental in moving us to a bigger shop in Burbank and setting us up with a great spray booth and dust collection system. We finally met So Cal safety codes. Basses built during 1990-1992 era were built initially.

Greetings, we are Michael Tobias Design, luthiers of some of the finest handcrafted American instruments— welcome to our virtual studio!

We specialize in the creation of custom basses and guitars, with a great emphasis on sound, playability, and of course the look of each instrument. Every instrument is built-to-order, built to last, and built to match each player’s needs— but don’t just take our word for it, visit one of our dealers and try one for yourself!

We build approximately ten instruments per month, as experienced craftsmen in the design and construction of both electric and acoustic basses and guitars. Our current team consists of Michael Tobias, Daniel Tobias (Michael’s son), and long-time friend and associate Charlie Kniceley.

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Our knowledge and experience extends to consulting and development projects done for other companies, as well as our own. Such projects include the Lakland hollow body bass, the Modulus Genesis bass, a number of acoustic guitars, Alvarez (with Joe Veillette) baritone acoustic and ABG, and a project for American Showster (alongside Chris Hoffschneider).

THE TEAM

MICHAEL TOBIAS (FOUNDER)

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I amMichael Tobias, and I have been building instruments since 1974. I started in Washington, D.C., working in The Guitar Shop and doing repairs for a time, to learn about other luthiers' instruments and construction methods. Most of my early work was on acoustic instruments. I worked on a great variety of instruments including Martin, Gibson, Fender, Kohno, Ramierez, banjos and mandolins, harp guitars, and even a few sitars.

After leaving Tobias Guitars at the end of 1992 and fulfilling my contractual obligations for consulting and non-competition with Tobias, I started building MTD (Michael Tobias Design) instruments at the beginning of 1994. Otome drama cd 18.

The most important thing I learned is that, no matter what the instrument is, it is first and foremost acoustic. If an instrument sounds weak acoustically, adding pick-ups will just amplify its shortcomings. Throughout my career, I have tried to apply this principal to everything I build. By experimenting with different types and combinations of wood, I seek to get the best possible tone from an instrument. By using different woods for body and neck, I am able to offer a wide variety of speaking voices and tonal capabilities.

Music has evolved over the years but there are still a few basic and fundamental constants— rules that must be dealt with. The instrument must satisfy the creative and emotional needs of the owner and it must play in tune.

CHARLIE KNICELEY (ASSOCIATE)

Charlie, a Hudson Valley native (of thirty years), is a long-time friend and employee. He is a fine luthier, exceptionally talented musician, and is a cherished member of MTD. Charlie has worked with a number of top-notch artists such as Al Martino, Jerry Bale, Ron Carter, Eileen Fulton, Joe Beck, Ed Summerlin, Danny Lewis, Randy Ciarlante, Jack Dejohnette, Mike DeMicco, Warren Bernhardt, Pete Levin, Connie Francis, Danny Brubeck, Honi Coles, Billy Reed, Jimmy Eppard, Brenda Buffalino, Machan Taylor, Mimi Hines, Hal Linden, Enzio Stuarte, Lucille Ricardo, Lew Soloff, Lou Marini, Rashid Ali, and the Hudson Valley Philharmonic. After retiring from the music scene in 1995, he has returned and has re-established himself in the musical fabric of the North East.

Daniel TobiaS

Shortly after graduating SMFA (School of Museum of Fine Arts) in Boston and receiving a B.F.A from Tufts University 2007, Daniel Tobias began his apprenticeship with Michael Tobias Design in 2009. Having been raised jointly by his parents and virtually every bass player that has ever held an MTD, Daniel applies his extensive knowledge and appreciation for the arts to the family tradition of crafting some of the finest handmade instruments in the world.

Having designed the Super 5 and Headless basses, Daniel remains a force of MTD basses and guitars. With the goal of carrying the timeless designs of MTD into the future, Daniel continues to work side by side with his father and MTD crew in Kingston, NY.

HISTORY

A future set in wood

Renowned for his passion, skill, and craftsmanship, MTD founder Michael Tobias began making guitars in the 1970s. Opening Tobias Guitars in April of 1977, Michael Tobias sold instruments through his first business, known as The Guitar Shop. The first Tobias Guitar (serial number 0178), followed soon after in January 1978.

Following the sale of The Guitar Shop in 1980, Michael Tobias relocated to San Francisco, where he partnered with manufacturing business, Sierra Guitars. A short-lived endeavor, Sierra Guitars produced about fifty instruments before Michael’s departure. Continuing on his creative journey, Michael Tobias relocated to Costa Mesa California, in May of 1981.

After several months of operating a repair shop in Costa Mesa, Michael Tobias relocated the business to Hollywood California. Tobias Guitars continued the repair and construction of custom instruments, (basses and guitars) with the help of long-time friend (and MTD family member) Bob Lee and Kevin Almieda.

A year after the relocation to Hollywood (1623 Cahuenga Blvd.) Tobias Guitars was able to retire from the repair business and focus solely on the creation of custom instruments. Kevin Almieda (Music Man) left Tobias Guitars and was succeeded by the additional members Bob McDonald and Makoto Onishi.

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'The business grew by leaps and bounds. In June of 1988, we had so many back orders that we could not accept any new orders until the January NAMM show in 1990.”- M.Tobias.

Tobias Guitars continued on, riding a wave of cult-like popularity. After several attempts to acquire larger and more equiped facilities to satisfy the demand for Tobias Guitars, it was time for a change— on January 1st of 1990, Michael Tobias sold Tobias Guitars to Gibson.

The Gibson Buyout

'Gibson was instrumental in moving us to a bigger shop in Burbank and setting us up with a great spray booth and dust collection system. Basses built during the 1990-1992 era were built by the same crew that had helped establish Tobias Basses, as one of the most sought after basses on the planet. We added several people during 1990 and ended up with a great 10-man shop.”- Michael Tobias

In early 1990, Gibson provided the resources and facilities necessary to satisfy the demand and continued production of Tobias Guitars. While the business prospered, the growing need for Tobias instruments remained a challenge. Tobias Guitars sought the help of outside Vendors, creating models such as the “Model T” and “The Standard' basses. By late 1992, in the interest of the corporation, Tobias Guitars relocated to Nashville— a move that af

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